A collage is a form of visual arts in which visual elements are combined to create a new image that conveys a message or idea. Collage comes from the French word “collér,” which means “to glue,” often the primary means of combining images in collage art. Collagers can draw these images from newspaper clippings or print advertisements, or cull them from different materials, like photographs, fabric, wood, and even ephemera. Collagers can apply the images to the surface of another work of art, such as a canvas, to create a new single image.

A Brief History of Collage in Art

While collage hit the mainstream in the twentieth century, art historians state that its origins trace back to the tenth century. Calligraphers in Japan used the technique when crafting poetry. Here is a brief historical overview that highlights how the art world embraced the form:

• Collaging enters Modern art. Collage art as a form of modem art began in the early twentieth century when Cubist artists Pablo Picasso and Georges Braque began gluing material—pieces of paper, fabric, even objects—to canvases and other surfaces in the early twentieth century. Picasso’s Still Life with Chair Caning (1912) featured oilcloth glued to canvas, while Braques’ Fruit Dish and Glass (1912) was a form of papier collé with patterned wallpaper glued to canvas.

• Dadaists and Surrealists embrace the form. The Dada art movement also embraced collage art. The form was featured in works by Hannah Höch, who glued photographs and ads cut out of magazines for her photomontage “Cut with a Kitchen Knife.” German artist Kurt Schwitters utilized the form in his wood collages. Collage also became a part of Surrealism, where artists reveled in juxtaposing existing elements to produce a single new work. Surrealist artist Joseph Cornell adopted collage techniques to create dream-like images shortly before World War II.

• Influence on Pop art. In the mid-twentieth century, art collage was a major influence on the movement, Pop art first through the playful work of British artist Richard Hamilton, and later, at a 1962 exhibit at the Sidney Janis Gallery in New York which showed works by Andy Warhol and Roy Lichtenstein. Today, collagists employ both the traditional method of cut and paste and modern means like digital software to further the art form and create new works.

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